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Foreign Horror Films see all Horror Film DVDs Outside of devoted cult audiences, many American horror fans have not experienced the full range of world cinema in this genre because sadly, not all the great horror films get theatrical release in this country. Here are some of the best selections of foreign horror movie DVDs, from classic silents to modern chilling thrillers and complete gore fests these are the foreign horror film DVD must-sees for horror afficionados who don't need their scares to come in English! also see Italian Horror Films | Asian Horror Films |
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Secluded in the French countryside, a brilliant, obsessive doctor attempts a radical plastic surgery to restore his beloved daughter’s once-beautiful face, but at a horrifying price. Lauded as a true rarity of horror cinema, Eyes Without a Face (Les Yeux sans visage) has influenced countless films in its wake and stunned audiences around the world with its shocking yet poetic imagery. Reminiscent of Cocteau's fantasy imagery in Beauty and the Beast, George Franju creates an eerie poetry of the doctor's sadistic experiments, culminating in an astonishingly brutal and beautiful finale. The screenplay was cowritten by Pierre Boileau and Thomas Narcejac, authors of the novels which became Les Diaboliques and Vertigo. The Criterion Collection is proud to present Georges Franju’s lyrical black-and-white classic in a long-awaited, high-definition DVD edition. |
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More Foreign Classic Horror Films
European Horror Movies
These silent masterpieces of German Expressionism have been digitally remastered from 35mm archival materials and feature new period subtitles. This collection is classic with a capital "C". |
The last film ever made by the great Fritz Lang (Metropolis, M, The Big Heat), this fascinating thriller combines elements of film noir, horror, and science fiction. Gert Frobe (Goldfinger) stars as police commissioner Kras, trying to uncover the sinister secret of the mysterious Hotel Luxor, ground zero for a massive crime wave. The crimes show all the hallmarks of evil genius Dr. Mabuse--but he died 30 years ago! Digitally restored from original studio negatives. |

Nosferatu
- Special Edition DVD
As noted critic Pauline Kael observed, "... this first important film of the vampire genre has more spectral atmosphere, more ingenuity, and more imaginative ghoulish ghastliness than any of its successors." Some really good vampire movies have been made since Kael wrote those words, but German director F.W. Murnau's 1922 version remains a definitive adaptation of Bram Stoker's Dracula. Created when German silent films were at the forefront of visual technique and experimentation, Murnau's classic is remarkable for its creation of mood and setting, and for the unforgettably creepy performance of Max Schreck as Count Orlok, a.k.a. the blood-sucking predator Nosferatu. With his rodent-like features and long, bony-fingered hands, Schreck's vampire is an icon of screen horror, bringing pestilence and death to the town of Bremen in 1838. (These changes of story detail were made necessary when Murnau could not secure a copyright agreement with Stoker's estate.) Using negative film, double-exposures, and a variety of other in-camera special effects, Murnau created a vampire classic that still holds a powerful influence on the horror genre. (Werner Herzog's 1978 film Nosferatu the Vampyre is both a remake and a tribute, and Francis Coppola adopted many of Murnau's visual techniques for Bram Stoker's Dracula.) Seen today, Murnau's film is more of a fascinating curiosity, but its frightening images remain effectively eerie.
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This legendary seven-hour silent French serial, one of the earliest and most original gangster films, combines realism and fantasy. Written and directed by Louis Feuillade, Les Vampires concerns an intrepid reporter's pursuit of a strange gang of jewel thieves terrorizing Paris. The gang ambitiously seeks political, psychological, and sexual domination of the city's social elite, with the seductive Irma Vep (an anagram of "vampire") as its brazen leader. Filmed on the streets and back alleys of World War I Paris, the 1915 picture was a huge commercial success, though temporarily banned by Paris's chief of police for glamorizing crime. A smash hit when finally released, and for fifty years celebrated as a masterpiece of French cinema, "Les Vampires" is complete and restored, with English titles and inserts, tints and an evocative orchestral score. |
In this 1933 British film--made between Boris Karloff's stints as the monster in 1931's FRANKENSTEIN and THE BRIDE OF FRANKENSTEIN in 1935--Karloff plays a dying Egyptologist who possesses an occult gem, known as The Eternal Light, that he believes will bring him immortality if he is buried with it and is thereby able to present it to Anubis in the afterlife. Of course, his bickering, covetous heirs and avaricious associates would rather keep the gem for themselves. With this in mind, Karloff vows to rise from his grave and seek revenge should anybody meddle in his plans, and he keeps this promise when, just after his death, one of his colleagues steals The Eternal Light. An atmospheric gothic flick ... film aficionados who love the old Universal monster movies of the 1930s and 1940s will find a lot to enjoy here. |
Spanish director Alejandro Amenábar's debut film, is a quietly creepy psychological thriller about a young college student, Ángela (Ana Torrent) investigating the social fascination with sensational violence for her thesis project. In her search for violent video footage, she stumbles onto what may be a real live snuff film, a videotape that her professor was watching before his untimely death. With the help of a geeky gore junkie she uncovers a conspiracy that may include her handsome but sinister new boyfriend, her thesis advisor, and even her weirdo partner. When she uncovers one too many secrets lying in the catacombs of the university basement, she realizes that she may be the next victim. Reminiscent of Brian De Palma's early thrillers: dark, stylish, subdued, and bubbling with the characters' guilty (and ultimately dangerous) fascination with the transgressive.

The Fearless Vampire Killers, or Pardon Me but Your Teeth Are in My Neck-DVD
(1967)
One of Roman Polanski's more overt comedies, this 1966 monster spectacle stars Jack MacGowran and Polanski as a clunky but heroic pair of vampire killers. Called upon to rescue the beautiful and buxom daughter (Sharon Tate) of an innkeeper from a Draculalike bloodsucker, the duo muddle through all sorts of scrapes, the most intense being a scene in which a room full of dancing vampires realize the human interlopers are the only ones in the room who are reflected in a mirror. Scary and funny, the film has some unforgettable set pieces, a terrific score, one of the few records of Tate's extraordinary beauty, and vibrant performances. Not exactly Polanski in a relaxed mode, but clear evidence of his estimable skills as a director of both brilliance and polish.
Hilariously awful movie about a busload of showgirls and their disreputable manager who break down outside a spooky castle after running out on their hotel bill. Little do they know the hospitable count who owns the castle is a vampire. The girls wander around in various states of undress and practice their tacky "dance routines" while the count eyeballs them and his spinsterish housekeeper mutters snide remarks. One girl falls prey to the vampire and comes back in the nude! Wearing nothing but fangs, she attempts to vampirize the manager. The heroine becomes the object of the vampire's lust because she resembles his long lost lover. Of course it all wraps up neat and tidy. There's no gore but lots of cheap lingerie and atmosphere. This is a wonderful example of sixties EuroTrash at it's most silliest. The print is good and the soundtrack adequately clear so you can relish the cheesy dialogue and psuedo-atmospheric sets. No budget, bad acting, bad dubbing and the script sounds like it was made up as they went along. Servicable b&w photography works well, the ENERGY is there and the earnestness to put over a Gothic horror movie in a spooky castle despite the frequent lapses into tasteless cheesecake...a true Euro-shlock classic. |
The sexy Nadina, a vampire with an insatiable thirst for female blood, lures women to her isolated island to love--then kill--her victims. A thin plot, but lots of funny arthouse satire. Recently resurfacing as a cult classic after over 25 years, Jess Franco's "Vampyros Lesbos" has re-started a dance craze phenomenon across the globe with its amazing musical score, recently heard in Quentin Tarantino's "Jackie Brown." Soft-core vampire movie with a psychedelic soundtrack--cheesy fun. |
Australia & New Zealand
If you're not a connoisseur of graphic horror and gruesome gore, you'd better steer clear of this wicked 1992 horror-comedy from the demented mind and delirious camera of New Zealand-born writer-director Peter Jackson. However, if nonstop mayhem and extreme violence are your idea of great entertainment, you're sure to appreciate Jackson's gleefully inventive approach to a story that can judiciously be described as sick, twisted, and totally outrageous. The movie's central character is a poor schmuck named Lionel who's practically enslaved to his domineering mother. But when ol' Mum gets bitten by a rare and poisonous rat monkey from Skull Island and is turned into a flesh-eating zombie, Lionel has the unfortunate task of keeping Mama happy while fending off all the other zombies that result from her voracious feeding frenzies. If you've read this far, you'll either be crying out for censorship or eagerly awaiting your first viewing (or second, or third...) of this wildly clever and audaciously uninhibited movie. And while director Jackson would later achieve critical success with his fact-based drama Heavenly Creatures, his talent is readily evident in this earlier effort .
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New Zealand maverick Peter Jackson made a splash (well, more of a splatter) with this film debut, a slapstick gross-out comedy about an alien fast-food franchise that turns a small town into a cheap source of meat. All that stands in the extraterrestrials' way is the Alien Investigation Defense Service (yes, it's a tasteless gag), a bunch of would-be Rambos who take on the aliens with axes, rocket launchers, and chainsaws. Jackson mines vomit jokes, dismembered corpses, and brain-spattering gore for over-the-top laughs and succeeds with inventive low-budget effects, crack timing, and sheer exuberance. Not bad for a film made on weekends with homemade props and a bunch of energetic mates. Jackson topped himself a few years later with the even more outrageous and hilarious bloody gut-buster Dead Alive. |
Situated somewhere between supernatural horror and lush Victorian melodrama, Twenty years after it swept Australia into the international film spotlight, Peter Weir's stunning 1975 masterpiece remains as ineffable as the unanswerable mystery at its core and a highlight of the '70s Australian New Wave. A Valentine's Day picnic at an ancient volcanic outcropping turns to disaster for the residents of Mrs. Appleyard's school when a few young girls inexplicably vanish on Hanging Rock. A lyrical, meditative film charged with suppressed longings, Picnic at Hanging Rock is at long last available in a pristine widescreen director's cut with a newly-minted Dolby® digital 5.1 channel soundtrack. |
Canada, Central & South America

At Midnight I'll Take Your Soul-DVD (1963)
Unholy undertaker, evil philosopher, denizen of dreams and hallucination--Coffin Joe, with his trademark top hat, black cape and long talon-like finger nails, is a horror icon in his native Brazil. He is the creation of writer-director-star Jose Mojica Marins whose perversely original and strangely personal filmmaking style has been compared to an unholy blend of Mario Brava, Luis Bunuel and Russ Meyer. The film debut of Coffin Joe was also the first true horror film made in Brazil. Joe terrorizes a small religious community in his search for the perfect woman to bear a child. Frightening, atmospheric and startlingly graphic for it's time. 35 year later, "At Midnight I'll Take Your Soul" has become an international horror classic.
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If Clive Barker had written an episode of The Twilight Zone, it might have looked something like Cube. A handful of strangers wake up inside a bizarre maze, having been spirited there during the night. They quickly learn that they have to navigate their way through a series of chambers if they have any hope of escape, but the problem is that there are lethal traps awaiting if they choose their route unwisely. Having established some imaginative and grisly punishments in store for the hostages, cowriter and director Vincenzo Natali turns his attention to the characters, for whom being trapped amplifies their best and worst qualities. The film is, in fact, similar to a famous episode of Rod Serling's old television series, though Natali's explanation for why these poor people are being put through hell is a lot closer to the spirit of The X-Files. Cube has some solid moments of suspense and drama, and the sets are appropriately striking: one is tempted to believe at first the characters are lost inside a computer chip. |
A bizarre psychedelic, non-linear horror story about some extremely disturbed circus folks by cult Chilean horror director Alejandro Jodorowsky. Not recommended for children under 18 years of age. Notorious as "the" cult movie between "Night of the Living Dead" and "The Rocky Horror Picture Show," El Topo is both violent and bizarre, a film that transends any western ever made. Our hero is the ultimate black leather clad gunfighter/mystic who cleans up an isolated town of evil outlaws. He sets out to kill the four Masters of the desert. Sfter doing so, El Topo is tormented by what he has done and in turn is killed himself. He is then resurrected and takes on a new persona, which leads him on a journey to rectify the injustices that overwhelmed his past life. Once you've seen it, You'll never forget it. This film contains Graphic Violence, Nudity and Sexual Situations. It is not recommended for children under 18 years of age. |
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Like
Jodorowsky's EL TOPO, which features many of the same cast and
crew, MANSION is a wild, psychedelic nightmare, imbued with the
freewheeling vibe of the late 1960s. |
Directed in Mexico in 1975 by Alejandro Jodorowsky (El Topo) collaborator Juan Lopez Moctezuma, the Psychotronic Video Guide describes Alucarda as "The strongest, most imaginative, and visual witch movie since Ken Russell's The Devils." Alucarda tells of the strange relationship between two young girls, Justine and Alucarda, and how their relationship destroyed the lives of those around them in a torrent of blood, death and damnation. This legendary horror film contains images that will shock and disturb. |
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