Paul Kurta's Linkable Production Checklist ©

How To Use:

ONLINE (like right now) Use it to track your progress and to navigate to other Film Production web sites.

OFFLINE-I find it helpful to have a copy of the checklist tacked up next to my desk. Use a color marker to keep track of your progress. Go ahead and print out a copy right now.

Cheers!

This Checklist is over 12 pages when printed.
You can scroll through or jump to one of four topic heads to save time by clicking on
wherever you see it.


PRE-GREENLIGHT
SHOOT
PRE-PRODUCTION
POST-PRODUCTION


PRE-GREENLIGHT

EXAMINE YOUR LEGAL POSITION

RETAIN EXPERT LEGAL COUNSEL

PK RECOMMENDS:

Harmon Kaslow - Kramer, Kaslow, & Grannan

PURCHASE and / or OPTION OF RIGHTS

  1. WRITER DEAL
  2. RE-WRITES and/or POLISH

GETTING THE DIRECTOR ON BOARD

  1. DIRECTOR INTERVIEWS
  2. MAKING THE DIRECTOR DEAL
    1. STEP DEVELOPMENT DEAL
    2. PICTURE DEAL

GETTING THE STARS TO COME OUT

  1. ASK ELLEN (ha ha!)
  2. CASTING DIRECTOR INTERVIEWS
  3. CASTING DIRECTOR DEAL
  4. STAR INTERVIEWS

LINE-PRODUCER INTERVIEWS

  1. LINE/CO-PRODUCER STEP -PICTURE DEAL
  2. CHECK ME OUT, Paul Kurta bio

PRODUCTION DESIGNER INTERVIEWS

  1. PRODUCTION DESIGNER DEAL

DIRECTOR OF PHOTOGRAPHY INTERVIEWS

  1. Make Dirrector of Photography -Prep-Picture-DEAL

LOCATION SCOUTING-SURVEY

  1. LOCATION MANAGER- DEAL
  2. SET FILM COMMISSION AND LOCAL CONTACTS

1ST PASS SCRIPT BREAKDOWN AND SCHEDULE

1ST PASS BUDGET

STAR MEETINGS SET LEADS

FINAL SHOOTING SCRIPT

REVISED BUDGET

COMPLETION BOND NEGOTIATION

STUDIO-NETWORK COMMITMENTS

STUDIOS

NETWORKS


COMMENCE
PRE-PRODUCTION

CREATE PRE-PRODUCTION CALENDAR

  1. CASTING
  2. SCOUTING
  3. REHEARSAL
  4. PRODUCTION MEETINGS
  5. TESTS
  6. PERSONNEL STARTS

Unit Production Manager Interviews

1st Assistant Director Interviews

  1. Production Manager-1st Assistant Director Deals

SET PRODUCTION OFFICE COORDINATOR


COMMENCE
PRINCIPAL PHOTOGRAPHY… SHOOT!

  1. SEE DAILY PRODUCTION CHECKLIST-HAVE A GOOD SHOOT

POST - PRODUCTION

EDITING

  1. INTERVIEW & SET EDITOR DEAL
  2. ASSISTANT EDITOR DEAL
  3. APPRENTICE EDITOR DEAL
  1. POST PRODUCTION SUPERVISOR DEAL
  2. EDIT ROOMS DEAL
  3. EDIT EQUIPMENT/ BENCH SET UP
  4. EDIT SUPPLIES VENDOR
  5. POST PRODUCTION SCHEDULE
  6. DAILY FILM RUN PROCEDURES

POST PRODUCTION SOUND:

  1. SUPERVISING SOUND EFFECTS EDITOR
  2. OVERALL EFFECTS/FACILITIES PACKAGE BID
  3. SET EFFECTS, ADR, FOLEY PERSONNEL/FACILITIES

MUSIC:

  1. MUSIC SUPERVISOR DEAL
  2. COMPOSER INTERVIEWS
  1. COMPOSER DEAL
  2. MUSIC CLEARANCES-DETERMINE LICENSE FEES
  3. SET SPOTTING/SCORING SCHEDULES
  4. MUSIC RIGHTS NEGOTIATION AND CLEARANCE

MISCELLANEOUS:

  1. INSURANCE DEAL
  1. COMPLETION BOND DEAL
  1. DEVELOPMENT REIMBURSEMENTS
  2. CORPORATE OVERHEAD, FEES ,CHARGES
  3. MPAA REGISTERED MPAA - Motion Picture Association of America


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